Manuel Cinema’s Frankenstein Review – A Theatrical Tribute to Mary Shelley’s Novel

Hyde Park’s Court Theater in Chicago has outdone itself this 2018/19 season with its current running production of Manual Cinema’s jaw dropping adaptation of Mary Shelley’s Frankenstein, just in time to celebrate the bicentennial of the novel’s original publication. Frankenstein is devised by Drew Dir, Sarah Fornace, and Julia VanArsdale Miller, with concept by Drew Dir and original music by Kyle Vegter and Ben Kauffman.

 

    Victor Frankenstein creating his monster (Photo: Michael Brosilow)

Love, loss, and creation merge in unexpected ways in this thrilling classic gothic tale conceived by Manual Cinema. Stories of Mary Shelley, Victor Frankenstein, and his Monster expose how the forces of family, community, and education shape personhood—or destroy it by their absence. 

 

The cast introducing the beginning of the story (Photo: Michael Brosilow)

 

 

In a special world premiere presentation, internationally-renowned multimedia company Manual Cinema stitches together the classic story of Frankenstein with Mary Shelley’s own biography to create an unexpected story about the beauty and horror of creation. Manual Cinema combines handmade shadow puppetry, cinematic techniques, and innovative sound and music to create immersive visual stories for stage and screen. Manual Cinema is a performance collective and film production company, founded in part by former Court dramaturg Drew Dir.  

 

Video and projector special effects in Manual Cinema’s adaptation of Frankenstein (Photo: Michael Brosilow)

Charles Newell, Court’s Marilyn F. Vitale Artistic Director notes, “We are absolutely over-the-moon to host the world premiere of Manual Cinema’s most ambitious piece of storytelling to date. Three of Manual Cinema’s Co-Artistic Directors—Drew Dir, Sarah Fornace, and Ben Kauffman—are alumni of the University of Chicago. Sharing the work of talented UChicago alumni with our audiences is yet another outstanding aspect of this already thrilling collaboration.”

The puppeteers include Sarah Fornace (Victor Frankenstein, Mary Shelley), Julia VanArsdale Miller (The Creature, Elizabeth Frankenstein, Fanny Imlay), Leah Casey (Caroline Frankenstein, Percy Shelley, Vocals), Sara Sawicki (Alphonse Frankenstein, William Godwin), and Myra Su (Ensemble).

The show by Manual Cinema was unlike anything I had ever witnessed at the theater. When my friend and I attended the performance, we assumed it was simply going to be a stage version of Frankenstein with actors who perform a play with their lines memorized. We were very wrong. It was truly an amazing experience of something even better on the stage. There were multiple mediums to tell the story of Frankenstein, such as the actors/puppeteers who incorporated and implemented paper puppets, lighting, projections themselves as silhouettes, and video.

 

Puppet sillouettes retell the story of Frankenstein (Photo: Michael Brosilow)

As amazing as the production was, at times it was a hard decision for us (and I am sure the rest of the audience), whether we should keep watching the screen for the full theatrical effect of the performance, the puppeteers working their magic, or the musicians creating the score and sound effects. We finally decided to watch and take in all three elements, which made the show even more exciting and astounding. I was also amazed by how puppeteers and musician memorized the entire performance; it was like a dance with each movement and step in synch with everything else.

 

An instrumentalist demonstrates how the musical score was constructed with sound effects

The cherry on top was when the performance concluded, and the cast allowed us come up onto to stage to see and play with the puppets and instruments they used. They explained and demonstrated in detail how the entire production was created and performed for the audience. It was also very hands on and interactive. We were allowed to try to manuoulate the puppetsas well as being behind the scenes of the videos and special effects.

 

 

 

A puppeteers demonstrates how the projector silhouettes come to life

 

If you are a fan of Mary Shelley and the timeless, haunting tale of Frankenstein, prepare to be wowed beyond belief with Manual Cinema’s once in a lifetime retelling of the classic novel brought to life onstage.

Audience members are invited to try out the puppet projectors after the show

*Photos by Jennifer Lunz unless otherwise noted.  

 

Frankenstein runs November 1 – December 2, 2018 at Court Theatre, 5535 S. Ellis Ave in Chicago, Illinois.

 

For more information, or to purchase tickets, visit the Court Theater website.

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